Mrs. Timmy wrote:
Local music historians would choose to disagree with you, doom:
https://theculturetrip.com/north-americ ... lle-sound/The Nashville sound comes from Ray Charles' country albums, he incorporated big band and other pop stylings into many country standards by Hank Williams, Ernest Tubbs etc, it is a very ornate, poppy style, lots of orchestration, complex production values etc just like the pop music of the time.
But you seem to have confirmed what I suspected, that Pride was 'groundbreaking' because he was black, but that seems to minimize the significance of his accomplishments.
I've known about him for decades, but never listened to anything by him. So today I listened to a good 2 hour mix of his music on Pandora, and I have to say that I liked it. He was a good singer, and assuming that he wrote at least some of the songs I heard (I'm sure that like any country artist he did his share of covers) then he was an excellent song writer as well. He certainly wasn't popular due to his race. It is obviously true that he was lucky that he began his career right around the time that the Civil Rights movement started making advances, meaning that white audiences were more open to him than they might have been in 1940 or 1950 when black musicians were largely ignored by white audiences. He was lucky to be treated the same as his white colleagues, being invited to the Grand Ol Opry and even making an appearance on Hee Haw. He probably did experience discrimination at some points, but it didn't limit him. He definitely beneffited from the fact that he rose at a less prejudiced time so white country fans were more willing to accept him, but to call him 'groundbreaking' because of his race seems almost insulting.